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(this is actually an archive of my "newsletters", except for those in which I announce specials)
 
Okay, let me know if you are getting tired of my little "newsletters" yet - but I just finished a bead (thus, it is still in the kiln and I can't show a picture), and I am SOOO excited about the glass I picked up this weekend at Frantz. I don't know about YOU, but I love those glasses that end up looking like Metal. It seems like Magic. For the longest time we beadmakers only had Kugler Reduction Frits that had to be pulled into stringer (I even have a chapter on that in Passing The Flame)...but since the Kugler wasn't REALLY compatible with Moretti, you could get away with making stringers or dots that were melted flat - but if you left the decoration raised on the surface of the bead it would brake off. Then Kugler offered those reducion colors in rod form, which took care of the tedious labor of pulling stringer from frit, but the compatibility issue was the same.
Then Effetre gave us "Silver Plum"...which looks somewhat metallic, but more in a muted "gunmetal" way, and also not really predictable (are you bored yet??). Then Jed, who used to work for Mike Frantz, started to "brew" his own glass - the fabled Double Helix (which is darn expensive at $ 100/pound - versus the average price of $ 10/pound of "regular glass" - and unless you are lucky to find a customer who is willing to pay a couple of thousand bucks for a set of beads, all of a sudden the material cost of your beads became an issue)...oups, I am getting off track here....so, the Double Helix has metallic effects, but again, not predictable....the colors are more predominent than the metallic look.
Jed was not the only one to figure out that we beadmakers would pay just about anything for glass that gives us the colors and possibilities of borosilicate glass - and tada "Precision Glass" was born (some people call it also R-4). I don't have all the details of the who and how, but Mike told me that Precision Glass is manufactured by Northstar - a company that usually makes colored borosilicate. Figures.... Precision Glass is also $ 100/pound... I guess we are getting used to paying those prices for glass now. I liked a color called "Sascha Silver" for my froggs - cool blues and greens in all shades, and a HINT of bluish metallic. This weekend I was chatting with Kimberly Affleck, who got lucky and was gifted a pound of each color directly from the manufacturer... so she knows exactly which color gets the richest metallic effect - and she was RIGHT!!!!! Curious at all? well, check in tomorrow, and you'll see, and if you are interested to know WHICH color is the magic ticket to "heavy metal"....let me know! have a wonderful night (or morning, depending on when you are reading this. It's midnight here in the Pacific Coldwest.
 
Hello! Welcome to my first newsletter, I have to admit that I don't know yet what I am doing here....the newsletter has so many professional looking templates that I think I'll have to play with it for a month or so until I figure out what looks good.
 
On Friday I announced that I was going to Frantzartglass to test some of the new Vetrofond Odd colors. Wow, they looked so fantastic laying there in boxes on the floor in the warehouse - mostly "fall" colors in muted oranges, reddish purples, greens, muddy browns.... but then actually WORKING with it is a whole different story. Kimberly Affleck was there as well, and you know that she makes those long skinny bicones, and she wrapped bands of the new colors around an EDP base, she fumes the glass, encases parts to trap some of the fuming - the beads just look fantastic. On the other hand, when I try to use the colors in my style of beadmaking, I am mostly disappointed, because lots of the new colors don't do well when pulled into thin stringers or applied as dots on black or white beads....So, in order to make something that looks a little bit better than just crap, I ended up making mostly large singe colored round beads, and simple encased beads with the new color as a core.
Another way of "presenting" new colors on the internet is to make "paddles", basically heating up a big blob of the new color and mashing it into a flat lollipop. The colors look REALLY cool that way - but the problem is that there is no way of making a bead that makes the color do exactly what it does as a paddle.... but you WILL see that paddles on the www.Frantzartglass.com website.....
 
Mike is going to have a contest for naming the colors, I assume he will announce that on the website, AND/OR he will announce it on LE...
 
I am looking forward to actually making some beads with the glass I brought home, but on Friday I caught a pretty bad cold - and walking around in the drizzling rain at the Oysterfest near Frantz on Saturday sure didn't help. So, today I'll take it easy, take some more Sudafed, and maybe even stay in bed (well, I don't think THAT'S going to happen, but it sounds like a good idea....).
 
I will have some specials later this week, but I'll let you know about that in a separate newsletter. I made some cool African themed beads on Friday, so, MAYBE I'll put them up tomorrow, depending on how I feel.
 
Thanks for subscribing to this newsletter-thing - have a great week, Corina
 
Just wanted to share this with you - it's absolutely beautiful and touching (and thanks to Ozi Jacqui...I had asked whether someone knew the name of the Aria, I now know it's called "Nessun Dorma", thanks bud!) Here is some more info from Wickipedia, in case you are interested (and there is also the Pavarotti version on YouTube, but I don't know about you, it's not half as beautiful....I think): 
 

Nessun dorma (None Shall Sleep) is an aria from the final act of Giacomo Puccini's opera Turandot. It is sung by the Prince, Calaf, as a challenge to Princess Turandot who has proclaimed that everyone in her kingdom shall spend a sleepless night attempting to find out the name of this unknown prince. Calaf challenges her that, if his name cannot be discovered by morning, the emotionally cold Princess will marry him. In his aria, Calaf indicates his certainty that their efforts to discover his name will be in vain.

The aria achieved pop status after it was used by the BBC for their TV coverage of the 1990 Football World Cup, known colloquially as Italia '90. It subsequently reached #2 on the UK Singles Chart, the highest placing ever by a classical recording.

It was the signature aria of the Italian tenor Luciano Pavarotti and was sung at his final performance, the finale of the Opening Ceremony of the 2006 Torino Winter Olympics. After the largest curtain ever built was opened to reveal him on the stage, wearing a black cape embroidered with silver Olympic rings, Pavarotti ended the ceremony by singing Nessun dorma, which ends with the victorious line "At dawn, I shall win!" His performance caused NBC Olympic commentator Brian Williams to proclaim "And the master brings the house down." The tenor's performance received the longest and loudest ovation of the evening.